NFTs

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The paintings and how they evolve.

The success of each fluid painting depends on many factors: the different media used and how they interact with each other, together with lighting, temperature control and air currents. Even simple dust particles play a part in the feel of some of the paintings. Some fluid paintings may take 24 hours or more to develop while others might happen instantly; therefore Chris has to constantly monitor the events taking place. Sometimes nothing will happen for hours and then suddenly it will all come together. Patience plays a large part in the process, and as it is a naturally occurring event, Chris can't hurry the process or even slow it down if it is happening too fast.





Kinetic

Muybridge Motion I | 
 Diasec | 70cm x 100cm
Muybridge Motion II | Diasec | 70cm x 100cm
Muybridge Motion III | Diasec | 70cm x 100cm
Muybridge Motion V | Black Ash Frame | 90cm x 120cm
Pastel Escape II | Diasec | 70cm x 100cm
Pastel Escape III | Diasec | 70cm x 100cm


Pursuit

Centrifugal Light | White Ash Frame | 62cm x 126cm
Journey of Dreams | White Ash Frame | 62cm x 126cm
Centrifugal Flight II | Black Ash Frame | 82cm x 102cm
Centrifugal IV | Black Ash Frame | 82cm x 102cm
Veils of Confusion I | Dusky Ash Frame | 79cm x 106cm
Veils of Confusion II | Dusky Ash Frame | 79cm x 106cm
Recoil | Black Ash Frame | 92cm x 125cm


Tentaculate

Poseidon’s Static | Float Frame | 98cm x 132cm
Cupid’s Garden | Black Ash Frame | 92cm x 125cm
Contrasts IV | Black Ash Frame | 82cm x 106cm
Contrasts V | Black Ash Frame | 82cm x 106cm
Hot Froth | Diasec | 60cm x 100cm
Drifting Intentions I | Black Ash Frame | 86cm x 116cm
Drifting Intentions IV | Black Ash Frame | 86cm x 116cm


Captivate

Tender Constraint I | Black Ash Frame | 97cm x 72cm
Tender Constraint II | Black Ash Frame | 97cm x 72cm
Tender Constraint III | Black Ash Frame | 97cm x 72cm
Tender Constraint V | Black Ash Frame | 97cm x 72cm
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Capturing the Fluid Painting.

The precise moment at which Chris decides to capture the moving painting, is vital, as the ‘right moment’ can pass in a millisecond.

The special optics and lighting systems used to photograph these unique moving paintings have been developed by Chris and his Father, Peter Parks, the Academy Award and Oscar winning film maker. As well as modern optics, Chris also uses older optics, some over 150 years old, to get the exact feel he is looking for.


Kinetic

Muybridge Motion IV | Diasec | 140cm x 100cm


Captivate

Valkerie’s Return | Set of 6 Diasec | 79cm x 202cm
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Chris Parks Art
Studio 216 Screenworks
22 Highbury Grove
London, N5 2EF, UK

P: +44 (0)7740 868211

Contact Us
Here

© 2023 by Chris Parks Art Ltd


© Copyright 2023 by Chris Parks Art Ltd

Chris Parks Art
Studio 216 Screenworks
22 Highbury Grove, London, N5 2EF
England

+44 (0)7740 868211

Contact Us
Here